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Chapter 22 Belonging and Unbelonging, The cultural purpose of festivals

DOI: 10.23912/978-1-910158-15-9-2636

ISBN: 978-1-910158-15-9

Published: January 2015

Component type: chapter

Published in: Focus On Festivals

Parent DOI: 10.23912/978-1-910158-15-9-2599

10.23912/978-1-910158-15-9-2636

Abstract

This chapter illustrates the inherent dualism of the European festival traditions and how these have translated into contemporary arts festivals. It is not a history, and focuses primarily on contemporary practice, whilst drawing attention to the continuities of cultural purpose which could be interpreted as fulfilling fundamental human and cultural needs – the need to embrace community and identity whilst at the same time giving license to subversion, challenge and the unfamiliar. In its central section, this chapter examines the London 2012 Cultural Olympiad, which enabled a diversity of national and regional identities to be expressed through its programmes of work. It also enabled important new art works to be presented by a number of partner festivals across the UK. But most significantly, the four year Olympiad’period (2008-2012) enabled projects to be grown from ground level upwards and grand ambitions to be realised, demonstrating on a large scale, a previously hidden trend towards ‘slow art’: the long-term embedding of partnerships between artists and communities.

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Contributors

  • Tessa Gordziejko (Author)

For the source title:

  • Chris Newbold, De Montfort University (Editor)
  • Christopher Maughan, Freelance writer (Editor)
  • Jennie Jordan, De Montfort University (Editor)
  • Franco Bianchini, Leeds Beckett University (Editor)

Cite as

Gordziejko, 2015

Gordziejko, T. (2015) "Chapter 22 Belonging and Unbelonging, The cultural purpose of festivals" In: Newbold, C., Maughan, C., Jordan, J. & Bianchini, F. (ed) . Oxford: Goodfellow Publishers http://dx.doi.org/10.23912/978-1-910158-15-9-2636

References

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Abandon Normal Devices (AND) (2012) Ask a teenager, available on www.andfestival.org.uk/events/ask-a-teenager/ Cuidades Que Danzan (n.d.), Least Common Multiple, available on www.cqd.info/index. php/en/projects/item/58-lcm

Delanty, G., Giorgi, I. and Sassatelli, M. (eds.) (2011) Festivals and the Public Cultural Sphere, Oxford: Routledge

https://doi.org/10.4324/9780203818787

Etchells, T (2012) Alphabet of Festivals, blog commissioned by LIFT and the Jerwood Charitable Foundation for The Future of Festivals Symposium held on February 2012, available on www.timetchells.com/notebook/february-2012/alphabet-of-festivals/

Garcia, B. (2012) 'The London 2012 Cultural Olympiad : A Model for a Nationwide Cultural Legacy', online article, Culture@TheOlympics 2012 ,available from: www.culturalolympics.org.uk

Haedicke, S. C. (2013) Contemporary Street Arts in Europe: Aesthetics and Politics (Studies in International Performance Series), Basingstoke: Palgrave MacMillan

Hannon C., Bradwell, P. and Timms, C. (2008) Video Republic, London: Demos

Jerwood Charitable Foundation (2012) The Future of Festivals, report available on www. liftfestival.com/content/12656/archive/2012/the_future_of_festivals/the_future_of_festivals

Johnson, J.H. (2011) Venice Incognito: Masks in the Serene Republic, California: University of California Press

https://doi.org/10.1525/california/9780520267718.003.0014

Kontratiev, A. (1997) Samheim Season of Death and Renewal, An Tríbhís Mhór: The IMBAS Journal of Celtic Reconstructionism, 2(1/2), Samhain 1997/Iombolg 1998

Quinn, B. (2010) Arts festivals, urban tourism and cultural policy, Journal of Policy Research in Tourism, Leisure and Events, 2(3), 264-279

https://doi.org/10.1080/19407963.2010.512207

Transmediale website (n.d.) reSource transmediale page available on http://www.transmediale.de/content/resource-transmedial-culture-berlin

Available

Published in Focus On Festivals

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