Chapter 22 A Holy Week Carnival, The Iberoamerican Theater Festival of Bogotá
DOI: 10.23912/978-1-910158-55-5-3025 | ISBN: 978-1-910158-55-5 |
Published: February 2016 | Component type: chapter |
Published in: Focus on World Festivals | Parent DOI: 10.23912/978-1-910158-55-5-2822 |
Abstract
This chapter explores the entangled relations of a contemporary and post- traditional festival with a much older festive substrate associated with Holy Week and Carnival. In this sense it is not intended as a systematic study of the Iberoamerican Theater Festival of Bogotá (ITFB), much less as a summary of its more than two decade long history. My more modest goal is to read this festival as a material and rhetorical dispositif arising in response to a social crisis (Castro Gómez, 2011), closely related to what I have called elsewhere regimes of festive alteration (Vignolo, 2015: 138-159): 1 The fiesta-bonanza, distinguished by excess and associated with human, territorial, and resource exploitation on the frontier of capitalist expansion (Braudel, 2002; Taussig, 1980: xii). 2 the fiesta-revolution, dominated by the trope of inversion and aiming to undermine the status quo, disrupt the social order, and scramble established dichotomies (Bakhtin, 1984; Eco, 1984). 3 The fiesta-passion, where the ritual sacrifice of a savior figure provides the community with a chance to separate from the conflicts that threaten its unity, through the trope of transfiguration. (Girard 1977; Esposito, 2003). Intertwined, superimposed, and interarticulated, they encompass practically all the festive events of the last 30 years in Colombia, it would be possible to trace their genealogy back to colonial times (Vignolo, 2015: 139).
Sample content
Contributors
- Paolo Vignolo (Author)
For the source title:
- Chris Newbold, De Montfort University (Editor)
- Jennie Jordan, De Montfort University (Editor)
Cite as
Vignolo, 2016
Vignolo, P. (2016) "Chapter 22 A Holy Week Carnival, The Iberoamerican Theater Festival of Bogotá" In: Newbold, C. & Jordan, J. (ed) . Oxford: Goodfellow Publishers http://dx.doi.org/10.23912/978-1-910158-55-5-3025
References
Ãlvarez, D. (2008) Interview in Funeral de Fanny Mikey fue todo un carnival. Noticias Uno, 18/08/2008 available from https://www.youtube.com/watch?v=NQ93lhP0SSc [Accessed 26/10/2015].
Bakhtin, M. (1984) Rabelais and his World. Bloomington: Indiana University press.
Borges, J. L. (1998) El reloj de arena. Madrid: Alianza, available from http://biblio3.url.edu.gt/Libros/borges/libro_de_arena.pdf [Accessed 26/10/2015].
Castro Gómez, S. (2011). Historia de la gubernamentalidad. Bogotá: Siglo del Hombre.
Chao, R. (2010) The Train of Ice and Fire. Pontefract: Route.
CODHES (2009) BoletÃn informativo de la ConsultorÃa para los Derechos Humanos y el. Desplazamiento, 75. Bogotá.
Criscione, G. and Vignolo, P. (2013) ¿Del terrorismo al turismo? 'Vive Colombia, viaja por ella' como dispositivo de movilidad, entre conflicto armado y patriomonio cultural, in M. Chaves, M. Montenegro, M. Zambrano (eds.) El valor del patrimonio: mercado, polÃticas cuturales y agenciamientos sociales. Bogotá: ICANH, 2013, 473-517.
Dorado, H. (2000) Por el placer de vivir: Fanny Mikey. Confesiones de camerino con Humberto Dorado. Bogotá: Planeta.
Dundjerovic, A. and Navarro Bateman, I. (2006) Antanas Mockus's Theatre for Social Change: Creating Civic Culture in Bogotá, Colombia, in Research Paper Series, University of Liverpool.
Duque Mesa, F and Prada Prada, J. (2004) Santigo Garcia: El teatro como Coraje, Bogota. Investigacion Teatral, Guadalupe y Ministerio de Cultura
Eco, U. (1984) The drames of comic 'dreedom' in U. Eco, V. V. Ivanov and M. Rector, Carnival! (Thomas A. Sebeok ed.). Berlin Mouton.
https://doi.org/10.1515/9783110848717
Red capital de teatro callejero (2014). Teatro en la calle: ciudad y fiesta, in Escenario abierto. Revista del teatro de calle, 3, Bogotá, julio 2004.
Esposito, R. (2010) Communitas. The Origin and Destiny of Community, trans. by Timothy Campbell. Standford: Stanford University Press.
Fernández-Santos, E. (2014) Teatro iberoamericano, entre el carnaval y la resistencia. El PaÃs, 11 /04/2014 available from http://cultura.elpais.com/cultura/2014/04/11/actualidad/1397204894_171025.html [Accessed 26/10/2015].
GarcÃa Canclini, N. (2004) Culturas hÃbridas: estrategias para entrar y salir de la modernidad. México: Grijalbo.
Giorgi, L. and Sassatelli, M. (2011) Introduction, in L. Giorgi, M. Sassatelli and G. Delantly (eds) Festivals and the Cultural Public Sphere. London: Routledge, 1-11.
Girard, R. (1977) Violence and the Sacred. Trans. Patrick Gregory. Baltimore: John Hopkins University Press.
Handy, C. (1999) Understanding Organizations. Middlesex: Penguin.
Jaramillo Hoyos, A. (2009) CiudadanÃa con marca registrada, in P. Vignolo (ed.) CiudadanÃas en escena. Performance y derechos culturales en Colombia. Bogotá: Universidad nacional de Colombia, 345-349
Jordan, J. (2015) Introduction section 2: Leadership and Management, in C. Newbold, C. Maughan, J. Jordan and F. Bianchini. Focus on Festivals. Contemporary European case studies and perspectives. Oxford: Goodfellow, 80-87.
Klaić, D. (2005) LIFT Outgrows its festival clothes, in R. De W. Fenton and L. Neal (eds.), The Turning World, London: Calouste Gulbenkian Foundation.
Lennard, J. (1997) Mayor of a different mould, in Americas (English Edition) March 1997 49(2): 40-45.
Lozano, P. (1998) Els Comediants clausura el festival de teatro de Bogotá. El PaÃs, 14/04/1998 available from http://elpais.com/diario/1998/04/14/cultura/892504802_850215.html [Accessed 26/10/2015]
MartÃn-Barbero, J. (1981) Prácticas de comunicación en la cultura popular. Mercados, plazas, cementerios y espacios de ocio, in Comunicación alternativa y cambio social. M. Simpson ed. México: UNAM, available from http://es.scribd.com/doc/6334231/Practicas-de-comunicacion-en-la-cultura-popular-mercados-plazas-cementerios-y-espacios-de-ocio [Accessed 26/10/2015].
Mockus, A. (2001) Cultura ciudadana, programa contra la violencia en Santa Fe de Bogotá, Colombia, 1995-1997, in Estudio Técnico. Washington D.C.: Banco Interamericano de Desarrollo, available from http://es.scribd.com/doc/63048/Colombia-Cultura-Ciudadana-Experiencia-Bogota [Accessed 26/10/2015]
Mikey, F. (2007) interview, in Gente, RCN, 04/04/2010 available from https://www.youtube.com/watch?v=cf3xI3BHdqU [Accessed 26/10/2015]
Négrier, E. (2015) Festivalisation: Patterns and limits, in C. Newbold, C. Maughan, J. Jordan and F. Bianchini. Focus on Festivals. Contemporary European case studies and perspectives. Oxford: Goodfellow, 18-27.
Newbold, C., Maughan, C., Jordan, J. and Bianchini, F. (2015) Focus on Festivals. Contemporary European case studies and perspectives. Oxford: Goodfellow.
Null Value (2015) Mockus dejó sin luces a Bogotá, in El Tiempo, 08/03/2008 available from http://www.eltiempo.com/archivo/documento/MAM-342391 [Accessed 26/10/2015]
Ocampo, J. A. (1998) Colombia y la economÃa mundial, 1830-1910. Bogotá: Fedesarrollo, Colciencias, TM Editores.
Ortega, M. (2008) Interview in Funeral de Fanny Mikey fue todo un carnaval. Noticias Uno, 18 / 08 /2008 available from https://www.youtube.com/watch?v=NQ93lhP0SSc [Accessed 26/10/2015]
Osorio, R. (2014) Interview in El Festival Iberoamericano de Teatro, un acto de fe en Colombia. Porta(l) Voz, 27/03/2014 available from http://www.nci.tv/index.php/menuportalvoz/submenu-conversaciones/12402-el-festival-iberoamericano-de-teatro-un-acto-de-fe-en-colombia [Accessed 26/10/2015]
Palacios Rozo, M. (2012) Violencia pública en Colombia, 1958-2010. Bogotá: Fondo de Cultura Económica.
RuÃz Gutierrez, J., Barrios Laborda, C. and Valderrama Arias, A. (2013) El Festival Iberoamericano de Teatro de Bogotá: su gestión en escena. Bogotá: Universidad de los Andes.
Sassatelli, M. (2015) Festivals, urbanity and the public sphere: Reflections on European festivals, in C. Newbold, C. Maughan, J. Jordan and F. Bianchini. Focus on Festivals. Contemporary European case studies and perspectives. Oxford: Goodfellow, 28-39.
Sommer, D. (2005). Cultural Agency in the Americas. Durham: Duke University Press.
https://doi.org/10.1215/9780822387480
Taussig, M.J. (1980). The Devil and Commodity Fetishism in South America. University of North Carolina Press
Tognato, C. (ed.) (2015) Cultural Agents Reloaded. The legacy of Antanas Mockus. Cambridge: Harvard University Press.
Valbuena GarcÃa, L. (2015) Literaturas de la toma del Palacio de Justicia. La tragedia entre la historia y la literatura. Tesis de MaestrÃa, departamento de Historia. Bogotá: Universidad Nacional de Colombia (unpublished)
Vignolo, P. (2006) La prise de la rue: carnaval et conflict à Bogotá, in Vie des Idées (April), 71- 82.
Vignolo, P. (2009) Metamorfosis de una pasión, in P. Vignolo, CiudadanÃas en escena. Performance y derechos culturales en Colombia. Bogotá: Universidad Nacional de Colombia, 94-102.
Vignolo, P. (2015) Vestigios de Fiesta, in Derechos Humanos y Memoria, revista Errata, n. 13, 136-159.
Vignolo, P. and Murillo RamÃrez, O. (2012) Un arma de doble filo: la espada de BolÃvar y el resurgir de los nacionalismos en Colombia y Venezuela, in B. Tovar Zambrano (ed.) Independencia: historia diversa. 50 años del departamento de Historia (1962-2012) Bogotá: Universidad Nacional de Colombia, 593-620.
Waitt, G. (2008) Urban festivals. Geographies of hype, helplessness and hope, Geography Compass, 2, 513-537.
https://doi.org/10.1111/j.1749-8198.2007.00089.x