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Chapter 1 The Audience Experience Changing roles and relationships

DOI: 10.23912/978-1-906884-20-8-1434

ISBN: 978-1-906884-20-8

Published: April 2011

Component type: chapter

Published in: Key Issues in the Arts and Entertainment Industry

Parent DOI: 10.23912/978-1-906884-20-8-1361

Abstract

This chapter will focus on the changing role of the modern-day consumer and audience member and explore the implications of this development for arts and entertainment organisations. It will begin with an exploration of the ‘experience economy’ (Pine and Gilmore, 1999), demonstrating how the changing needs, abilities and expectations of audiences and consumers are effecting revolutionary shift in behaviour from the traditional push from producers towards a creative dialogue, where consumers have at least a voice and sometimes even an equal role as artist and co-producer. The chapter will go on to discuss the rise of what we’ll call ‘creative interaction’, the intermediary space where professional artists, producers, venues and content providers join their audiences and consumers to create or experience something new together. This discussion will be underpinned by a focus on the changing role and mission of arts and entertainment organisations from privileged gatekeepers to facilitators.

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Contributors

  • Ben Walmsley (Author)
  • Anna Franks (Author)

For the source title:

  • Ben Walmsley, University of Leeds (Editor)

Cite as

Walmsley & Franks, 2011

Walmsley, B. & Franks, A. (2011) "Chapter 1 The Audience Experience Changing roles and relationships" In: Walmsley, B. (ed) . Oxford: Goodfellow Publishers http://dx.doi.org/10.23912/978-1-906884-20-8-1434

References

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Pine BJ and Gilmore JH (1999) The Experience Economy: Work is Theatre and Every Business a Stage, Boston, MA: Harvard Business School

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Published in Key Issues in the Arts and Entertainment Industry

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